the 88 collective

Only 10 more hours left! so get your votes in! click here to...

hectoncollider — Thu, 14 Mar 2013 02:48:23 -0400

Only 10 more hours left! so get your votes in! click here to vote for my Krewella design VOTE HERE

strangeburd: Stop and Go. Acrylic, Graphite & Digital....

hectoncollider — Sun, 28 Oct 2012 22:16:08 -0400

strangeburd:

Stop and Go. Acrylic, Graphite & Digital. 2012. by David Capuzzo to follow him on tumblr click here

hectoncollider: New drawing by me follow my art blog for more...

hectoncollider — Fri, 28 Sep 2012 15:10:47 -0400

hectoncollider:

New drawing by me follow my art blog for more details and updates link below

strangeburd.tumblr.com/

strangeburd:

“Flowers in the Attic” a new drawing inspired by a film of the same name, this drawing will be for sale at the 30 under 30 exhibit that takes places in Exeter during the month of october

Photo

black-birdy — Mon, 10 Sep 2012 23:33:38 -0400

devidsketchbook: ARTIST GUIM TIÓ “The artist offers...

unimaginableunimaginable — Mon, 27 Aug 2012 20:17:39 -0400

devidsketchbook:

ARTIST GUIM TIÓ

“The artist offers “pictographic” portraits in some sort of pantheon of “avatars”, those famous virtual replicas from the various social networks in which friendships, preferences, desires and memories are intertwined. These avatars are a reflection of the users’ personal identities, that they spread on the net in an overt and shameless way. Guim Tió observes this “digital territory” while demonstrating some corrosive irony and reveals, at the same time, the fragility and ambiguity of human condition, unique to our time, that is to assert oneself through image instead of content.” - Original text of Massimo Cova

blog | facebook | flickr

ssdmmfr: Artist, Illustrator, Animator & Graphic...

unimaginableunimaginable — Mon, 27 Aug 2012 18:29:04 -0400

ssdmmfr:

Artist, Illustrator, Animator & Graphic Designer:

Aìméé Vàn Drìmmélén

“I have been painting on synthetic drumskins, like what you’d find on a bass or snare drum, since 2007. I have painted close to 100 pieces to date, which have found homes on walls across North America and toured on the drumkits of several bands. I am personally connected to every creature I draw. Each piece has a story I’d be happy to tell you. “

“To find out more about ordering a drumskin please send me an email.
Limited edition prints are available exclusively through Mammoth & Co. “

traceloops: ringo_color.gif

unimaginableunimaginable — Mon, 27 Aug 2012 04:23:15 -0400

traceloops:

ringo_color.gif

carnetimaginaire: Eric Carle, Cat family

unimaginableunimaginable — Mon, 27 Aug 2012 04:03:26 -0400

carnetimaginaire:

Eric Carle, Cat family

marcomazzoni: “My Purple Past” 2012, colored pencils on paper,...

unimaginableunimaginable — Sat, 25 Aug 2012 13:23:35 -0400

marcomazzoni:

“My Purple Past” 2012, colored pencils on paper, cm 40x30

darksilenceinsuburbia: 毛利太祐/Taisuke Mohri. Untitled 1, 2009....

unimaginableunimaginable — Sat, 25 Aug 2012 13:23:02 -0400

darksilenceinsuburbia:

毛利太祐/Taisuke Mohri. Untitled 1, 2009. Color pencil on paper/panel, 100 x 100.

Collection of the Artist.

http://www.frantic.jp/en/artist/artist-mohri.html

conch house by *koyamori

black-birdy — Thu, 23 Aug 2012 23:59:44 -0400

conch house by *koyamori

cavetocanvas: James Tissot, The Gallery of HMS Calcutta...

unimaginableunimaginable — Mon, 20 Aug 2012 16:12:47 -0400

cavetocanvas:

James Tissot, The Gallery of HMS Calcutta (Portsmouth), c. 1876

From the Tate Collection:

Tissot often painted a man with two women in order to explore the subtle nuances of flirtation and attraction through body language and facial expression. Here a chaperone separates the young naval officer from the object of his attentions, the woman hiding her enjoyment of his flirtation behind her fan. Tissot focuses here on the boundaries of Victorian propriety and social convention, and their transgression. The languid pose of the nearest woman, and Tissot’s frank concentration on her fashionable hour-glass figure, inevitably led to the picture being criticised when it was first exhibited. The author Henry James dismissed it as ‘hard, vulgar and banal’.